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My Godzilla Paper and Spaces

7.16.2026

These days what I love most is studying Godzilla’s history through my collectibles. In the process I also learn about myself. I’ve lived and experienced fifty of Godzilla’s seventy-year history. My collection serves as my time machine and time capsule for the journey back to my childhood. Godzilla is always somewhere in the foreground or background. He was always popping up in the TV guide, newspaper and theater. If Godzilla was not on the big screen, he was on the little one. And then he was on my shelves. The media, specifically paper goods, through which I encountered Godzilla was ephemeral and transient. Here today and gone tomorrow. I held some in one hand and tossed others into the trash with the other hand. Some print material had little value to me growing up. But now I gotta have those old TV guides, newspaper, magazine clippings and more. I’m on the hunt for the old advertisement, article, comic, flyer, guide, pamphlet, program, promotional poster, press release, ticket, to name a few. They are like old technology that once we could not live without but have long been replaced, abandoned and forgotten. But they were an important part of our material lives and culture where Godzilla lives. Without them we knew little and did less. Today they are like artifacts to an archaeologist necessary to make sense out of a world long gone. They must be collected, studied and discussed for what they can to tell us. Godzilla is not just the movie but also the wall poster, program book, movie ticket, flyer, newspaper ad and review and more. They left a deep impression of Godzilla on my life and memories. They are part of a bigger picture and richer history of Godzilla that takes place concurrently with the changes in society and technology. Here are some of my recent Godzilla paper I’ve added to my collection.

Godzilla movies are treasures with treasure maps. Every scene, word, location, interaction is an invitation to investigate the authorial intent and the material world within its historical, social and cultural context and to compare the world of the film and the creators with our own. All those things that made Godzilla accessible are worthy of study. I want to collect, preserve and celebrate these things within the material world I experienced in Godzilla. I’m not stopping with 8mm film, beta, VHS, LaserDisc, DVD and Blu-ray but I also want the projectors, players and TVs. When I collect Godzilla soundtracks, I not only want the records, cassette tapes and CDS, but also the audio technology to enjoy them. They all go together. My mission is to display them in small recreations of my childhood, teenager and young adult spaces. That’s my Godzilla Museum. I am the curator in my little Godzilla space, where I retreat back in the times I never want to forget and leave behind. When I share the story of Godzilla, I’m also sharing my story.

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My Godzilla spaces and rooms from 1978

I spent the last month rethinking and reimagining my Godzilla room, rearranging my collection in a timeline of my life. While Godzilla figures are a big part of the display, they only tell part of the story. So going forward I will be more selective and strategic buying figures. I’m focusing on those things in keeping with my vision and display worthy rather than destined to be stowed in a basement bin. I’m moving toward more of those ephemeral things: the print block, the press kit, the newspaper ad, the magazine article and cover, the wrapper, etc. Paper is a priority. There are old Godzilla paper artifacts just waiting to be discovered and prized. And there is new paper to obtain whose value is yet to be seen so they should not be quickly discarded. Collated and arranged well they can tell the 70 year history of Godzilla in a unique way through valued and undervalued paper. In 2024, I visited the Tokusatsu DNA Exhibit in Ueda. It was quite impressive and has left a deeper impression on me than I realized. That experience is what I want to recreate in my Godzilla space. There both my life with Godzilla will be recreated and encountered with a mix of collectibles and real “artifacts” like those at the exhibit.

My Godzilla experience is packed in my small space. As the eye moves across, it spans my life with Godzilla. On the few surfaces I will make displays with a mix of figures and historical print material (eg, ads, scripts, tickets, etc.) with real and replica artifacts (eg, Godzilla dorsal fin, claw, cells and more) that create a museum experience. I’m developing an interactive touch-screen application to tell my story, the history of my collection in an unfolding history of Godzilla. Godzilla will be on the screens and his roar coming from the speakers. When I walk into my Godzilla Room I want to enter a complete fully-immersive experience of Godzilla and nostalgia. This room has six walls which I use for six acts like the M Space Hunter Nebula aliens in Godzilla vs Gigan (1971):

I love the direction my Godzilla space and how I will collect going forward. I can see my life growing up with Godzilla spanning five decades. The old is new. The forgotten has been remembered. My room was once for storing my Godzilla collectibles. Now its design and content have been handpicked to create an experience and an opportunity for me to tell visitors about Godzilla’s history in the context of my story. I’ve brought back a TV for enjoying Godzilla movies. I’m developing an interactive Godzilla exhibit app for my collection. And some surprise exhibits are coming soon. Each day my Godzilla Room gets closer to my Godzilla Museum.